Saturday, December 15, 2007

Scent of Love - Jigsaw Puzzle - Image by Chris Carter

When it was suggested that my captured-digigraph images would make great jigsaw puzzles I was thrilled. I wasn't sure it would become a reality. Thanks to Andrews and Blaine, it is. The 'Scent of Love' puzzle is currently available in Barnes and Noble stores and online.

Scent of Love Puzzle Image by Christine Reilly Carter Produced by Andrews Blaine Sold through Barnes and Noble
ISBN-13: 9780641857652

The story behind the image:

Tom, arrived home from a long day of work and saw that the dozen long-stemmed roses he had given me in the morning no longer had stems of any length at all. The beautiful, pink blossoms were floating in a bowl of water on the table. Next to the bowl was a gorgeous print I had made from scanning the blossoms. His response was a giant smile. That is true love.

And so began a seven-year detour from my path as a painter. I scanned everything in site, flowers, thorns, insects, beads, animals, tools, hinges, food, textiles and even my children. An abstract artist at heart, nature provided me with every shape, texture, color and line to play with. More than a thousand images later, the print of the pink roses remains one of my favorites. Through it all, Tom has supported my journey as an artist.

Link to Barnes and Noble listing

Thursday, December 6, 2007

Portable Paint Box

Inspired by my friend Xochitl Barnes, I put together this fabulous tiny paintbox/easel. It fits nicely into my backpack and holds everything I need to paint a tiny painting. I'm looking forward to trying it out at Porters Pub this Friday night.

My return to painting on site is an attempt to refresh my ability to handle a paintbrush with poetry of line and motion. I moved away from brushwork in my large watercolor paintings. My need for expression of story within the abstract patterns has led me back to drawing and painting from life in order to bring these skills back to the larger works. I find it difficult to transfer drawings onto watercolor paper after I have built up the initial layering of patterns. I also find that when a figure is transferred, it loses a bit of its vitality. Returning to the skills of direct observation allows me to draw directly onto the watercolor paper without having to make multiple corrections that will destroy the surface of the paper.

These little studies are so much fun that I could easily become a "painting a day" fanatic. It's no wonder that there are now thousands of artists following the lead of Duane Keiser.

The cold weather is a bit of a deterrent. I've sifted through hundreds of photographs and pulled out dozens that I use for inspiration when the weather is too chilly and I'm not in the mood to paint a pair of scissors or a salt shaker.

Traveling and painting is once again a realistic notion. Over the years, the necessary supplies that I carted around to paint outdoors became ridiculously cumbersome. With a limited palette and my tiny box, I am ready to go anywhere.